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Soho/Tribeca Gallery Walk Incoming 🚶♂️
Issue #82
Stop #1: Hauser & Wirth on Wooster St
On View Until Oct 25
Start off at H&W to see the jolting exhibition Ambera Wellman: Darkling, featuring paintings of a Boschian twist, somewhere between hell and reality. Though small, you don’t want to miss it.

Close up of “Death Masks Eternity”
Stop #2: Company Gallery
On View Until Oct 25
Continue exploring Wellman’s paintings at the 2nd part of the exhibition, located at Company Gallery.
Stop #3: PPOW Gallery
On View Until Oct 18
Head over to Soho to see Erin M. Riley: Life Looks Like a House For a Few Hours for impressive large-scale weavings depicting domestic scenes. The craftsmanship was remarkable (though we were, personally, less moved by the subject matter).
Don’t forget to head upstairs for Elizabeth Glaessner: Running Water, featuring dream — or nightmare — like paintings reminiscent of exorcism.
Those intrigued by Wellman’s work will likely find themselves drawn to Glaessner’s.

Elizabeth Glaessner, Holy Fury, 2025
Stop #4: Marian Goodman Gallery
On View Until Oct 25
Nearly next door, Marian Goodman presents the renowned Gabriel Orozco: Partituras. In this body of work, Orozco draws on his piano practice, transforming musical sketches into his distinct geometric language. The exhibit felt like a welcome respite — calm and meditative.

Gabriel Orozco, 5 de Agosto 2011, 14:11 hrs, Saint Fargeau,, 2025 Tempera, gold leaf, and graphite on canvas
Stop #5: Anat Ebgi
On View Until Oct 18.
At Anat Ebgi, you’ll find two exhibitions.
First, you’ll be met with Caleb Hahne Quintana: A Boy That Don’t Bleed for personal, contemplative paintings on boyhood.

The Boy Fights Himself, 2025
In the back of the gallery, Erin Wright: Mapping the Middle showcases unbelievably detailed domestic architecture. We were convinced these were prints until speaking with a gallerist. Truly impressive compositions.

Mapping the Middle, 2025
Stop #6: Ortuzar
On View Until Nov 1
Finally, wrap up at Ortuzar with Brenda Draney: Out of the Woods. Draney paints fragments of everyday life, often leaving much of the canvas bare and embodying ‘less is more’. Despite the emptiness, the artworks feel complex and quietly moving.
Stylistically, Draney’s artwork reminded us of a local painter, Kirsten Valentine. Check out @kirstenvalentine if you’re in the market!

Teeth, 2025
In Summary

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