🚨 Last Chance

In the Museums

Harmony and Dissonance: Orphism in Paris, 1910 - 1930

📍 Guggenheim

⏰ closing March 9

❓over 90 works examining the vibrant abstract art of Orphism, with artists like Robert & Sonia Delaunay, Marcel Duchamp, Francis Picabia, and more investigating the transformative possibilities of color, form, and motion

🔗 see exhibit details. 

In addition, Ink and Ivory: Indian Drawings and Photographs Selected with James closes today, March 4, at The Met on Feb 28.

In the Galleries

Owen Fu: Own Alone

📍 PPOW

⏰ closing March 8

❓ surreal domestic scenes cast in a nocturnal glow where the distinction between reality and dreams disintegrates

🔗 see exhibit details. 

Allison Janae Hamilton: Celestine

📍 Marianne Boesky

⏰ closing March 8

❓exploring the interplay between land and sky, incorporating sculptures, paintings, photographs, and film

🔗 see exhibit details. 

✚ Serge Alain Nitegeka: Configurations in Black, showcasing new paintings and sculptures of geometric abstraction, also closes March 8 at the gallery

In addition:

• Medieval masterpieces: Treasures of the Medieval World closes at Luhring Augustine on March 8

• Abstract style: Frank Wimberley: Before More After Less closes at Berry Campbell on March 8

🎉 Just In

In the Museums

Beatriz Milhazes: Rigor and Beauty

📍 Guggenheim

⏰ opening March 7

❓mural-like, abstract paintings developed through the innovative technique “monotransfer”

🔗 see exhibit details. 

The Book of Esther in the Age of Rembrandt

📍 The Jewish Museum

⏰ opening March 7

❓paintings, prints, and drawings representing the biblical Book of Esther made by Rembrandt van Rijn and his contemporaries

🔗 see exhibit details.

In the Galleries

julio galán: a collaborative exhibition between luhring agustine chelsea & kurimanzutto

📍 kurimanzutto & lurhing augustine chelsea

⏰ opening Mar 6, with opening reception at 6-8pm

❓considered the preeminent Mexican painter of his generation, Galán’s multidisciplinary practice addresses issues of identity, gender, culture, and social constructs in works that layer self-representation with larger themes of cultural and sexual difference

🔗 see exhibit details. 

Richard Learoyd: A Loathing of Clocks and Mirrors

📍 Pace Gallery

⏰ opening Mar 7

❓portrait, still life, and landscapes photographs produced with his custom-built camera obscura between 2018 and 2025

🔗 see exhibit details. 

Zorawar Sidhu and Rob Swainston

📍 Petzel

⏰ opening March 7, with reception 6-8pm

❓prints featuring woodcuts, screenprints, and etchings by the artist duo; the works represent both social and natural landscapes in the context of climate disaster, political activism, and global events. 

🔗 see exhibit details. 

Léon Spilliaert

📍 David Zwirner

⏰ opening Mar 5, reception 6-8pm

❓haunting self-portraits, brooding coastal landscapes, and Symbolist-infused dreamscapes, capturing solitude and mystery with an enigmatic dark palette

🔗 see exhibit details. 

In addition:

• Immersive, multisensory landscape: Tavares Strachan: Starless Midnight opens at Marian Goodman on March 7 with a reception 6-8pm

• Intimate narratives: Aaron Gilbert: World Without End opens March 7 with a reception 6-8pm at Gladstone

• Abstraction and realism in dialogue: Walter Price: Pearl Lines opens on Mar 6 at Greene Neftali with a reception 6-8pm

• Animal representation: Walton Ford: Tutto opens at Gagosian on Mar 6, with an opening reception at 6-8pm

• Transforming material into memory: Joël Andrianomearisoa: MIRACLE opens at Almine Rech on Mar 6, with a reception at 6-8pm

🗓️ Events of the week

• Tavares Strachan & Phong Bui | Conversation and Book Signing (Marian Goodman, Mar 8, 4-6pm) — registration recommended

• Free First Friday at Noguchi (Noguchi Museum, Mar 7, 11am-6pm) — registration recommended; from 3-5pm there’ll be art-making in the galleries

• Beyond Emulation: Rethinking Chinese Archaistic Bronzes, 1100–1900 (The Met, March 11, 11am-12pm) — Learn more about the misunderstanding surrounding these bronzes and celebrate their artistic and cultural significance.

📚 Further Reading

• A New New Museum, for Humans and Robots and Everyone in Between — The NYTimes

• A Brave Neuendorf World — Puck News | to read the full article sign up here

• A Disruptor Asks, Is New York Finally Ready for ‘DOOM’? — The NYTimes

• This Spring, the Guggenheim Shines a Light on One of Brazil's Most Beloved Artists — Cultured

• This Month, Show Up for These 12 Unmissable New York Solo Shows by Women Artists — Cultured

• Camille Henrot Takes On the Arbitrariness of Social Rules at Hauser & Wirth — Observer

• Forget Orphism. Synchromism Was the Really Interesting Art of Its Day — Artnet

• Guggenheim Lays Off 20 Employees as Financial Challenges Persist — The NYTimes

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