Thoughts on Refik Anadol's Unsupervised

Issue #3: October 19 - 25

Hi folks,

 

Currently on view at the Metropolitan Museum of Art is Manet’s renowned Olympia at the Manet/Degas exhibit. This is, without a doubt, considered a masterpiece in the art world. If you don’t know much about the artwork, read an in depth piece on it here

Etching of Olympia, by Manet | source

🚨 Last Chance

In the Museums

Africa Fashion

📍 Brooklyn Museum

closing on October 22nd

🗓️ contemporary fashion (1950s - today)

❓ showcasing garments as well as photographs, music, textiles, and more, celebrating the global impact of African fashion

📏 large exhibit (>180 works)

Image source | Courtesy IAMISIGO

Listen Until You Hear

📍 Fotografiska

closing on October 22nd

🗓️ contemporary photography

❓ an exploration of listening as healing through personal, political, and imaginative works from six artists (in partnership with artist organization For Freedoms)

📏 small/medium exhibit

In the Galleries

Toba Khedoori

📍 David Zwirner | 537 W 20th St

closing on October 21st

🗓️ contemporary painting (b. 1964)

❓ intricate compositions, created through painting and drawing

📏 small exhibit (<10 works)

we found these works impeccable - if you have the opportunity to stop by, we highly recommend it

Image self-captured | partial shot from the exhibit

Tetsuya Ishida: My Anxious Self

📍 Gagosian | 555 W 24th St

closing on October 21st

🗓️ contemporary painting (1973 - 2005)

❓ the most comprehensive exhibition of the artist’s work outside of Japan, depicting absurdist, allegorical pieces centered on the theme of human alienation

📏 medium exhibit

Nicolas Party: Swamp

📍 Hauser & Wirth | 22nd St

closing on October 21st

🗓️ contemporary painting ( b. 1980)

❓ oil-on-copper paintings featuring site-specific murals and unique portraiture

📏 small exhibit

we found Party’s portraits captivating; if you go, Ed Clark: The Big Sweep is closing the same day

 

In addition, the following exhibits are closing (all on October 21st):

 

🎉 Just In

In the Museums

Heads Up: Neural Net Aesthetics - Conversation with Refik Anadol

📍New Museum

on October 26, 6 pm

❓panel, including Refik Anadol, Maya Man, Eileen Isagon Skyers and moderated by Michael Connor, discussing the relationship between AI and digital art

❗ tickets are $10, purchase here

Going Dark: The Contemporary Figure at the Edge of Visibility

📍 Guggenheim

Opening October 20th

🗓️ contemporary (mostly 1980s onward)

❓ presenting art works that feature partially obscured or hidden figures, across a group of 28 artists (majority Black and/or women)

📏 large exhibit (>100 works)

stop by the Only the Young: Experimental Art in Korea, 1960s - 1970s exhibit, if you’re interested in experimental art 

Image Source | © Lorna Simpson

In the Galleries

Currently, there are no other major exhibition openings for galleries.

 

💖 Ongoing Favorites

📢 Editor’s Updates

If you haven’t already seen the Refik Anadol piece, Unsupervised, in the MoMA - don’t worry, because it likely won’t be your last chance. While the exhibit is still set to close on October 29th, the piece has just been acquired by the MoMA. It will be the museum’s first Generative AI piece, gifted by 1OF1 Collection and RFC Collection. 

Unsupervised was developed as an artwork that continuously generates new forms through the use of artificial intelligence. The work is created by interpreting MoMA’s datasets of more than 200 years of art, as well as realtime site-specific inputs (e.g. weather, lighting in the lobby, etc.) The result is displayed in an impressively large scale and high resolution installation in the museum lobby. 

Although described by MoMA as something that “reimagines the history of modern art,” critics have a different take - with descriptions ranging from “an extremely intelligent lava lamp” to “a half-million-dollar screensaver.” The main claim of critics is that the piece lacks meaning and mystery, with the most intriguing part of Unsupervised being the inputs/references for the model rather than the display itself.

While we found the ever changing textures and vibrant colors mesmerizing, it’s hard to disagree with the critics' perspective that this piece feels designed for our social media era.

It leads us to a fundamental question: what is accepted as art today? Arguably, so much of art is a reinvention or retelling of past references. And while the piece itself doesn’t seem to offer commentary on much of anything, there’s no doubt that it’s inspired conversation about the role of AI in art - an increasingly hot topic. 

It’s fitting that New York City’s Museum of Modern Art would take this step to feature and now acquire a piece of generated artwork, accepting technological advancement in the art world. While we have mixed feelings about the piece and what it represents, we recommend checking out the work by Oct. 29 and determining for yourself whether you would consider this piece “fine art.”

As always, we’d appreciate it if you followed us on instagram and shared the sign up link with your friends. :)

Reply

or to participate.