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Thoughts on Refik Anadol's Unsupervised
Issue #3: October 19 - 25
Hi folks,
Currently on view at the Metropolitan Museum of Art is Manet’s renowned Olympia at the Manet/Degas exhibit. This is, without a doubt, considered a masterpiece in the art world. If you don’t know much about the artwork, read an in depth piece on it here.

Etching of Olympia, by Manet | source
🚨 Last Chance
In the Museums
Africa Fashion
📍 Brooklyn Museum
⏰ closing on October 22nd
🗓️ contemporary fashion (1950s - today)
❓ showcasing garments as well as photographs, music, textiles, and more, celebrating the global impact of African fashion
📏 large exhibit (>180 works)

Image source | Courtesy IAMISIGO
Listen Until You Hear
📍 Fotografiska
⏰ closing on October 22nd
🗓️ contemporary photography
❓ an exploration of listening as healing through personal, political, and imaginative works from six artists (in partnership with artist organization For Freedoms)
📏 small/medium exhibit
In the Galleries
Toba Khedoori
📍 David Zwirner | 537 W 20th St
⏰ closing on October 21st
🗓️ contemporary painting (b. 1964)
❓ intricate compositions, created through painting and drawing
📏 small exhibit (<10 works)
➕ we found these works impeccable - if you have the opportunity to stop by, we highly recommend it

Image self-captured | partial shot from the exhibit
Tetsuya Ishida: My Anxious Self
📍 Gagosian | 555 W 24th St
⏰ closing on October 21st
🗓️ contemporary painting (1973 - 2005)
❓ the most comprehensive exhibition of the artist’s work outside of Japan, depicting absurdist, allegorical pieces centered on the theme of human alienation
📏 medium exhibit
Nicolas Party: Swamp
📍 Hauser & Wirth | 22nd St
⏰ closing on October 21st
🗓️ contemporary painting ( b. 1980)
❓ oil-on-copper paintings featuring site-specific murals and unique portraiture
📏 small exhibit
➕ we found Party’s portraits captivating; if you go, Ed Clark: The Big Sweep is closing the same day
In addition, the following exhibits are closing (all on October 21st):
Lichtenstein Remembered presented by Gagosian (980 Madison Ave)
Tamoo Gokita, presented by Petzel (520 W 25th St)
Cassi Namoda: A Gentle Rain Is Dying, presented by 303 Gallery (555 21 St)
🎉 Just In
In the Museums
Heads Up: Neural Net Aesthetics - Conversation with Refik Anadol
📍New Museum
⏰ on October 26, 6 pm
❓panel, including Refik Anadol, Maya Man, Eileen Isagon Skyers and moderated by Michael Connor, discussing the relationship between AI and digital art
❗ tickets are $10, purchase here
Going Dark: The Contemporary Figure at the Edge of Visibility
📍 Guggenheim
⏰ Opening October 20th
🗓️ contemporary (mostly 1980s onward)
❓ presenting art works that feature partially obscured or hidden figures, across a group of 28 artists (majority Black and/or women)
📏 large exhibit (>100 works)
➕ stop by the Only the Young: Experimental Art in Korea, 1960s - 1970s exhibit, if you’re interested in experimental art

Image Source | © Lorna Simpson
In the Galleries
Currently, there are no other major exhibition openings for galleries.
💖 Ongoing Favorites
If you’re interested in a figuration + abstraction combo: Cecily Brown: Death and the Maid at the Metropolitan Museum of Art, closing in December
To see the foundational paintings of a sculpture artist: Ruth Asawa Through Line at the Whitney, closing January 2024
To see the works of iconic feminist: Judy Chicago: Herstory at the New Museum, closing in January 2024
If you love artist gossip: Manet/Degas at the MET, closing in January 2024
To see the power of a bromance: Vertigo of Color: Matisse, Derain, and the Origins of Fauvism, closing January 2024
Image Sources: Brown, Asawa, Chicago (self-capture), Manet, Matisse, Taylor
📢 Editor’s Updates
If you haven’t already seen the Refik Anadol piece, Unsupervised, in the MoMA - don’t worry, because it likely won’t be your last chance. While the exhibit is still set to close on October 29th, the piece has just been acquired by the MoMA. It will be the museum’s first Generative AI piece, gifted by 1OF1 Collection and RFC Collection.
Unsupervised was developed as an artwork that continuously generates new forms through the use of artificial intelligence. The work is created by interpreting MoMA’s datasets of more than 200 years of art, as well as realtime site-specific inputs (e.g. weather, lighting in the lobby, etc.) The result is displayed in an impressively large scale and high resolution installation in the museum lobby.
Although described by MoMA as something that “reimagines the history of modern art,” critics have a different take - with descriptions ranging from “an extremely intelligent lava lamp” to “a half-million-dollar screensaver.” The main claim of critics is that the piece lacks meaning and mystery, with the most intriguing part of Unsupervised being the inputs/references for the model rather than the display itself.
While we found the ever changing textures and vibrant colors mesmerizing, it’s hard to disagree with the critics' perspective that this piece feels designed for our social media era.
It leads us to a fundamental question: what is accepted as art today? Arguably, so much of art is a reinvention or retelling of past references. And while the piece itself doesn’t seem to offer commentary on much of anything, there’s no doubt that it’s inspired conversation about the role of AI in art - an increasingly hot topic.
It’s fitting that New York City’s Museum of Modern Art would take this step to feature and now acquire a piece of generated artwork, accepting technological advancement in the art world. While we have mixed feelings about the piece and what it represents, we recommend checking out the work by Oct. 29 and determining for yourself whether you would consider this piece “fine art.”
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