If there’s a week to go out and explore art, it’s this week. So much is going on, in light of NYC’s Art Week. But bear with us — we’re sharing a lot of content today!

🚨 Last Chance

In the Museums

Klimt Landscapes

📍 Neue Galerie

⏰ closing May 6

🗓️ art nouveau

📏 medium-size

❓ Klimt’s landscape paintings from his summer holidays in Austria

🔗 see exhibit details.

✚ Austrian Masterworks From the Neue Galerie closing the same day

In the Galleries

Mary Lovelace O’Neal: HECHO EN MÉXICO — a mano

📍 Marianne Boesky | 507 W 24th

⏰ closing May 4

❓monumental canvases reflecting on Lovelace O’Neal’s six-decade exploration of innovative forms, materiality, and color

🔗 see exhibit details.

Ian Mwesiga: Beyond the Edge of the World

📍 The Flag Art Foundation | 545 W 25th

⏰ closing May 4

❓11 paintings exploring themes of mystery, fantasy, and the unknown in a world of unexplored symbols and untold stories

🔗 see exhibit details.

✚ Graham Little and the Spotlight on María Berrío are closing the same day

In addition:

• Rudolf Stingel at Gagosian (UES), closing April 30

• Sarah Crowner: Hot Light, Hard Light at Luhring Augustine (Tribeca), closing May 4

🎉 Just In

In the Museums

Paul McCartney Photographs 1963-64: Eyes of the Storm

📍 Brooklyn Museum

⏰ opening May 3

🗓️ photography

❓ 250 photographs from Paul McCartney’s documentation of Beatlemania during The Beatles’ tumultuous first U.S. tour

🔗 see exhibit details.

In the Galleries

Antony Gormley: Aerial

📍 White Cube | 1002 Madison Ave

⏰ opening April 30

❓ site-specific installation of an orthogonal branching matrix, as well as life-size cast iron sculptures that explore physical closeness

🔗 see exhibit details.

✚ advanced booking is strongly advised, as a limited number of visitors can be accommodated at a time — book here

✚ ✚ Conversations: Antony Gormley and Tom Eccles on May 2 at 6 pm at The Morgan Library & Museum

Tara Donovan: Stratagems

📍 Pace Gallery | 540 W 25th

⏰ opening May 3

❓ collection of sculptures crafted from found and upcycled CD-ROM discs, that expand the boundaries of human perception, and is accompanied by a live performance from choreographer Kim Brandt

🔗 see exhibit details.

✚ Adam Pendleton: An Abstraction and Huong Dodinh: TRANSCENDENCE opening at the same location, same day

✚✚ opening reception for all three openings on May 2, 6-8pm

Nikita Gale: NOSEBLEED

📍 Petzel | 520 W 25th St

⏰ opening May 2

❓ an immersive installation that explores the dynamics of live performances through ‘nosebleed’ seats

🔗 see exhibit details.

The Haas Brothers: Inner Visions

📍 Marianne Boesky | 509 W 24th

⏰ opening May 2

❓ new sculptures and paintings showcasing the Brothers’ evolution in material experimentation

🔗 see exhibit details.

✚ opening reception on May 2, 6-8pm

In addition:

• Amy Sillman: To Be Other-Wise at Gladstone Gallery (Chelsea), opening May 2 with a reception May 2, 6-8pm

• Paul Klee: Psychic Improvisation and Lucas Arruda: Assum Preto at David Zwirner (Chlesea), opening May 2

• Giuseppe Penone: Hands - Earth - Light - Colors at Marian Goodman (UES), opening May 3, with a reception May 3, 6-8pm

• Jay Lynn Gomez: Under Construction at PPOW (Soho), opening May 3

• Sahara Longe: Sugar at Timothy Taylor (Tribeca), opening May 2 with a reception on May 2, 6-8pm

• Jessica Dickinson: And at James Fuentes (Tribeca), opening May 3 with a reception on May 3, 6-8pm

• Alan Saret: Rest of Me at Karma (LES), opening May 3 with a reception on May 3, 6-8pm

• Allen Ruppersberg: 25 Ways to Start Over and Lubaina Himid: Street Sellers at Greene Neftali (Chelsea), opening May 2

📢 Editor’s Updates

Currently on view at the MoMA is an incredibly moving exhibit on Käthe Kollwitz. The Prussian artist was active during the early decades of the 20th century, developing intimate, mostly black-and-white, prints and drawings with themes of motherhood, grief, and social justice. The exhibit includes 120 drawings, prints, and sculptures, featuring studies, working proofs, and more.

During the tumultuous era spanning both World Wars, Kollwitz resided in Berlin, witnessing firsthand its turmoil and tragedies. In her prints, she confronted and shared the suffering experienced by women, the working class people, and young men in war. Her art, marked by a profound despair, employs detailed realism, stark contrasts, and innovative techniques.

While Kollwitz was a prominent figure, distinguished as the first woman elected to the Prussian Academy of Arts, she was later expelled by the Nazis for her supposed “degeneracy”. Widely respected in Germany and internationally today, this exhibit offers an opportunity to explore her art deeply.

Read Wolfgang Tillmans thoughts on Käthe Kollwitz.

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