- Art Pulse NYC
- Posts
- On the 'Raymond Saunders: Post No Bills' exhibit
On the 'Raymond Saunders: Post No Bills' exhibit
Issue #20: February 22 - 28
🫶 Highlights 🫶
🚨 3 exhibits closing at Pace Gallery, and more gallery closings listed below.
🎉 Harlem Renaissance and Transatlantic Modernism is opening at the Met, Raymond Saunders at David Zwirner & Andrew Kreps, and more are opening in the upcoming days.
💖 Read our Ongoing Favorites below.
📢 Read about our preview of Raymond Saunders: Post No Bills below!
🚨 Last Chance
In the Museums
No museum exhibits are closing this week.
In the Galleries
John Wesley: WesleyWorld: Works on Paper and Objects 1961-2004
📍 Pace Gallery | 540 W 25th
⏰ closing Feb 24
❓ unique flat figurations that merge influences from comics and mass media into a style marked by vibrant colors and an absurdist edge
➕ Mika Tajima: Energetics and Glenn Kaino: Walking with a Tiger are closing the same day, same location

John Wesley | Self-Captured
daniel guzmán - the man who should be dead: notes on the dead house, the fire and the tale
📍 kurimanzutto | 516 W 20th
⏰ closing Feb 24
❓ incorporating visual and literary references to challenge contemporary representations of Mexican identity
➕ conversation between Daniel Guzmán and Mónica de la Torre at kurimanzutto on Saturday, Feb 24 (event registration, free event)
Dara Birnbaum: Four Works: Accountability
📍 Marian Goodman | 24 W 57th
⏰ closing Feb 24
❓ works from the 1990s that engage with political events, exploring Birnbaum’s interest in historical memory and public address
➕ Daniel Boyd: Dreamland and Amar Kanwar: The Peacock’s Graveyard are closing the same day, same location
In addition:
Tursic & Mille: Sweet Nothings at Almine Rech at 39 E 78th, Fl. 2, closing Feb 24
Grace Carney: girlgirlgirl at P.P.O.W. at 392 Broadway (Soho), closing Feb 24
🎉 Just In
In the Museums
The Harlem Renaissance and Transatlantic Modernism
📍 Metropolitan Museum of Art
⏰ opening Feb 25
🗓️ Black art during the 1920s-40s
📏 large (160 works)
❓ highlighting the pivotal role of Black artists in shaping modern life in urban centers and underscoring the international impact of the Harlem Renaissance on modern art
➕ check out the corresponding podcast for the exhibit

In the Galleries
Raymond Saunders: Post No Bills
📍 David Zwirner (Chelsea) & Andrew Kreps (Tribeca)
⏰ opening Feb 22
❓ assemblage-style paintings with themes of community, visibility, and the dynamics of public space, spanning across two locations in a collaborative exhibit between David Zwirner and Andrew Kreps
➕ Huma Bhaba: Welcome… to the one who came (20th St), featuring cast-iron and patinated-bronze sculptures, Steven Shearer: Profaned Travelers (19th St), featuring works on the subject of sleep, and Bill Traylor: Works from The William Louis-Dreyfus Foundation (20th St), featuring Traylor’s self-taught artistry, are also opening at David Zwirner locations on Feb 22
➕➕ opening reception today, Feb 22, 6-8pm

Raymond Saunders | Self-Captured
Ian Mwesiga: Beyond the Edge of the World
📍 The Flag Art Foundation | 545 W 25th
⏰ opening Feb 23
❓ 11 paintings exploring themes of mystery, fantasy, and the unknown in a world of unexplored symbols and untold stories
➕ Graham Little, featuring works on paper on late-20th-century fashion and art historical references, and Spotlight: Tschabalala Self, a new artwork by the artist, at the same location opening Feb 23
➕➕ opening reception for Ian Mwesiga and Graham Little on Feb 23, 6-8pm
Chuck Close: Red, Yellow, and Blue: The Last Paintings
📍 Pace Gallery | 510 W 25th
⏰ opening Feb 23
❓ unseen paintings, photographs, and works on paper that highlight his innovative approach to conceptual portraiture
➕ opening reception on Feb 22, 6-8pm

Chuck Close, Fred II, 2017 | Courtesy of Pace Galelry
In addition:
Jacob Kassay at 303 Gallery (Chelsea), opening Feb 22
Drew Bennett Laird Gough, Lyndsey Marko, Alexandria Mento, Dominic Musa, Ben Walker at Alexander Berggruen (UES), opening Feb 28
💖 Ongoing Favorites
For an imaginative and meticulous exploration of the self and myth: Costanza Schaffner: Leones, Flores, Costanzas at Luhring Augustine (Tribeca), closing in early March
To see the works of an iconic feminist: Judy Chicago: Herstory at the New Museum, closing in early March
To journey back in time and explore the historical confluence of two monumental cultures: Africa & Byzantium at The Met, closing in early March
To be immersed in nature’s depths, while in the concrete jungle: Mary Weatherford: Sea and Space at Gagosian (67 St), closing in early March
To explore identity through digital artistry: Cindy Sherman at Hauser & Wirth (Wooster St), closing in mid March
For a profound exploration of identity, language, and resilience: Shilpa Gupta: I did not tell you what I saw, only what I dreamt at Amant, closing in April
To bask in a comprehensive collection of monumental Black artists: Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys, closing in July
Image Sources: Africa & Byzantium; otherwise, self-captured
📢 Editor’s Updates
We had the privilege of seeing a preview of the expansive ‘Raymond Saunders: Post No Bills’ exhibit, which opens today across two locations: David Zwirner and Andrew Kreps Gallery. This expansive exhibition covers four decades of Saunders’s artistry.

Raymond Saunders | Self-Captured
Raymond Saunders, an esteemed African American artist and educator, is renowned for his abstract mixed-media paintings imbued with socio-political narratives. His vibrant artworks are intricate, inviting meticulous observation, which will reveal a consistent visual language including swaths of rich color, an assemblage of found objects such as snippets of newspaper and street signs, children’s drawings, delicate white-pencil etchings, and more, often contrasted against black backgrounds. These elements collectively offer an intimate window into Saunders’s values and engagement with education, African American identity, and urban life.
Being an artist is about doing your work, and a lot of people have this romantic notion of the artist… It’s not natural — it’s a result of dedication, it’s a result of focus and a result of isolation.

Raymond Saunders | Self-Captured
In both galleries, these artworks are beautifully displayed against a backdrop of large-scale vinyl wallpaper, featuring enlarged details from the very pieces showcased in the exhibit, creating an immersive experience. We highly recommend stopping by the galleries to explore the puzzle-like pieces, and to delve into the rich oeuvre of Raymond Saunders and his contribution to contemporary art, both through his unique visual style and influential teachings.
We’d love to hear any suggestions you have! Please share them here:
📚 Further Reading
The Met Aims to Get Harlem Right, the Second Time Around — The NYTimes
The Art World Before and After Thelma Golden — New Yorker
From Phone Calls to Art Fairs, Here’s How Top Collectors Buy Art — Artnet
American Counterculture, Glimpsed Through Zines — New Yorker
See Inside the Last Original Artist Lofts in New York — Artnet
On South African Artist Zanele Muholi — Cultured
Reply