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On the 'Raymond Saunders: Post No Bills' exhibit

Issue #20: February 22 - 28

🫶 Highlights 🫶

🚨 3 exhibits closing at Pace Gallery, and more gallery closings listed below.

🎉 Harlem Renaissance and Transatlantic Modernism is opening at the Met, Raymond Saunders at David Zwirner & Andrew Kreps, and more are opening in the upcoming days.

💖 Read our Ongoing Favorites below.

 📢 Read about our preview of Raymond Saunders: Post No Bills below!

🚨 Last Chance

In the Museums

No museum exhibits are closing this week.

In the Galleries

John Wesley: WesleyWorld: Works on Paper and Objects 1961-2004

📍 Pace Gallery | 540 W 25th

closing Feb 24

unique flat figurations that merge influences from comics and mass media into a style marked by vibrant colors and an absurdist edge

➕ Mika Tajima: Energetics and Glenn Kaino: Walking with a Tiger are closing the same day, same location

John Wesley | Self-Captured

daniel guzmán - the man who should be dead: notes on the dead house, the fire and the tale

📍 kurimanzutto | 516 W 20th

closing Feb 24

❓ incorporating visual and literary references to challenge contemporary representations of Mexican identity

➕ conversation between Daniel Guzmán and Mónica de la Torre at kurimanzutto on Saturday, Feb 24 (event registration, free event)

Dara Birnbaum: Four Works: Accountability

📍 Marian Goodman | 24 W 57th

closing Feb 24

❓ works from the 1990s that engage with political events, exploring Birnbaum’s interest in historical memory and public address

➕ Daniel Boyd: Dreamland and Amar Kanwar: The Peacock’s Graveyard are closing the same day, same location

In addition:

🎉 Just In

In the Museums

The Harlem Renaissance and Transatlantic Modernism

📍 Metropolitan Museum of Art

opening Feb 25

🗓️ Black art during the 1920s-40s

📏 large (160 works)

❓ highlighting the pivotal role of Black artists in shaping modern life in urban centers and underscoring the international impact of the Harlem Renaissance on modern art

➕ check out the corresponding podcast for the exhibit

In the Galleries

Raymond Saunders: Post No Bills

📍 David Zwirner (Chelsea) & Andrew Kreps (Tribeca)

opening Feb 22

assemblage-style paintings with themes of community, visibility, and the dynamics of public space, spanning across two locations in a collaborative exhibit between David Zwirner and Andrew Kreps

➕ Huma Bhaba: Welcome… to the one who came (20th St), featuring cast-iron and patinated-bronze sculptures, Steven Shearer: Profaned Travelers (19th St), featuring works on the subject of sleep, and Bill Traylor: Works from The William Louis-Dreyfus Foundation (20th St), featuring Traylor’s self-taught artistry, are also opening at David Zwirner locations on Feb 22

➕➕ opening reception today, Feb 22, 6-8pm

Raymond Saunders | Self-Captured

Ian Mwesiga: Beyond the Edge of the World

📍 The Flag Art Foundation | 545 W 25th

opening Feb 23

❓ 11 paintings exploring themes of mystery, fantasy, and the unknown in a world of unexplored symbols and untold stories

➕ Graham Little, featuring works on paper on late-20th-century fashion and art historical references, and Spotlight: Tschabalala Self, a new artwork by the artist, at the same location opening Feb 23

➕➕ opening reception for Ian Mwesiga and Graham Little on Feb 23, 6-8pm

Chuck Close: Red, Yellow, and Blue: The Last Paintings

📍 Pace Gallery | 510 W 25th

opening Feb 23

❓ unseen paintings, photographs, and works on paper that highlight his innovative approach to conceptual portraiture

➕ opening reception on Feb 22, 6-8pm

Chuck Close, Fred II, 2017 | Courtesy of Pace Galelry

In addition:

💖 Ongoing Favorites

Image Sources: Africa & Byzantium; otherwise, self-captured

📢 Editor’s Updates

We had the privilege of seeing a preview of the expansive ‘Raymond Saunders: Post No Bills exhibit, which opens today across two locations: David Zwirner and Andrew Kreps Gallery. This expansive exhibition covers four decades of Saunders’s artistry.

Raymond Saunders | Self-Captured

Raymond Saunders, an esteemed African American artist and educator, is renowned for his abstract mixed-media paintings imbued with socio-political narratives. His vibrant artworks are intricate, inviting meticulous observation, which will reveal a consistent visual language including swaths of rich color, an assemblage of found objects such as snippets of newspaper and street signs, children’s drawings, delicate white-pencil etchings, and more, often contrasted against black backgrounds. These elements collectively offer an intimate window into Saunders’s values and engagement with education, African American identity, and urban life.

Being an artist is about doing your work, and a lot of people have this romantic notion of the artist… It’s not natural — it’s a result of dedication, it’s a result of focus and a result of isolation.

Raymond Saunders

Raymond Saunders | Self-Captured

In both galleries, these artworks are beautifully displayed against a backdrop of large-scale vinyl wallpaper, featuring enlarged details from the very pieces showcased in the exhibit, creating an immersive experience. We highly recommend stopping by the galleries to explore the puzzle-like pieces, and to delve into the rich oeuvre of Raymond Saunders and his contribution to contemporary art, both through his unique visual style and influential teachings.

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