A gallery walk from LES to Soho 🙌

Issue #19: February 15 - 21

🫶 Highlights 🫶

🚨 Picasso in Fontainebleau is ending at the MoMA, as well as a few gallery exhibits.

🎉 Klimt Landscapes at the Neue Galerie, Verena Loewensberg: Kind of Blue at Hauser & Wirth, and more are opening in the coming week.

💖 Read our Ongoing Favorites below.

 📢 Read our recommended Lower Manhattan gallery walk below!

🚨 Last Chance

In the Museums

Picasso in Fontainebleau

📍 MoMA

closing Feb 17

🗓️ cubism & neoclassicism

📏 medium

❓ the significant and varied works Picasso produced in a garage studio in Fontainebleau during the summer of 1921

Pablo Picasso. The Spring Fontainebleau. 1921. Oil on canvas | © 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

In addition:

In the Galleries

Carey Young: Appearance

📍 Paula Cooper Gallery | 534 W 21st

closing Feb 17

video and photography to explore judicial authority and the law’s materiality, challenging stereotypes

➕ watch a video with Carey Young explaining her works here

Brian Buczak: Man Looks at the World

📍 Ortuzar Projects | 9 White St

closing Feb 17

❓ paintings and works on paper that explore identity, the metaphysical, and cultural critique

Brian Buczak. “Materialization”. 1985 | Source

In addition:

🎉 Just In

In the Museums

Klimt Landscapes

📍 Neue Galerie

opening Feb 15

🗓️ art nouveau

📏 medium

Klimt’s landscape paintings from his summer holidays in Austria

Gustav Klimt. “Park at Kammer Castle”. 1990. Oil on canvas. | This work is part of the collection of Estée Lauder and was made available through the generosity of Estée Lauder

In addition:

In the Galleries

Verena Loewensberg: Kind of Blue

📍 Hauser & Wirth | 69th St

opening Feb 21

❓ a comprehensive view of the four-decade career of the sole female member of the Zurich school of concrete artists, with works reflecting her love for jazz and mastery of color field, pop art, and minimalism

➕ opening reception on Feb 21, 5-7pm, including a curator walkthrough

Verena Loewensberg. Untitled. 1950. Oil on canvas | Source

Beatrice Caracciolo: The Parable of the Blind

📍 Paula Cooper | 511 W 21st

opening Feb 17

❓ a series of works inspired by Pieter Bruegel the Elder’s “The Blind Leading the Blind”

Beatrice Caracciolo. “The Blind (Triptch)”. 2023. | Source

 

In addition:

  • Jose Duran: Elena at James Fuentes (55 Delancey St), opening Feb 15(+ opening reception on Feb 15, 6-8 pm)

💖 Ongoing Favorites

Image Sources: Africa & Byzantium; otherwise, self-captured

📢 Editor’s Updates

While Chelsea is known as the premier destination for galleries, the current selection of exhibits across Lower Manhattan are exceptional. Before March, we recommend the following gallery walk (ordered for your convenience):

Stop 1: Nathaniel Oliver | Karma Gallery | Closing March 2

📍188 E 2nd St | 🔗 exhibit details

At Karma Gallery, visitors will discover Nathaniel Oliver’s vibrant and imaginative narrative paintings, which blur the lines of reality and fantasy. Oliver’s creative process begins with sketches drawn from imagination, enriched by references from his personal experiences and art historical context. Oliver maintains a distinctive visual language, with recurring motifs such as the ocean, African cultural references, the flora and fauna of the Caribbean.

Nathaniel Oliver. “The Faith of Fishing”. 2023. Oil on canvas. | Self-Captured

Stop 2: Hana Yilma Godine | Rachel Uffner Gallery | Closing March 2

📍170 Suffolk St | 🔗 exhibit details

In her large-scale works, Ethiopian painter Hana Yilma Godine explores a world where women are safe and free to express their power and beauty, depicted as larger-than-life figures set within ethereal landscapes. Across these textured works, Godine skillfully employs traditional fabrics in a collage-like manner. Her pieces exude creativity, femininity, and power.

Hana Yilma Godine. “Single Painting #10”. 2022. Oil and fabric on canvas. | Self-Captured

Stop 3: Thordis Adalsteinsdottir | Nunu Fine Art | Closing in March

📍381 Broome St | 🔗 exhibit details

For those intrigued by whimsical art, this stop is a must. The Icelandic painter, Thoris Adalsteinsdottir, showcases works that feature playful, yet existential themes, merging post-pop art, expressionism, and minimalism. Her cartoonish figures are set against vivid hues and intricate patterns, creating inventive compositions. While the scenes may appear silly at first glance, they reveal deeper reflections on our digital obsession and societal roles. This exhibit stood out as a highlight.

Thordis Adalsteinsdottir | Self-Captured

Stop 4: Gerald Lovell | P.P.O.W. | Closing March 9

📍390 Broadway, Fl 2 | 🔗 exhibit details

The next visit shifts focus to intimate portraiture. Atlanta-based Lovell portrays the Black community in NYC and from his travels, as an act of biography. His works blends an almost photographic clarity with an impressionistic, richly textured application of paint. Lovell has a unique ability to capture the essence of his subjects, presenting us with contemplative works.

Gerald Lovell. “17 Points / I Believe I Can Fly”. 2023. oil on panel. | Self-captured

Stop 5: Constanza Schaffner | Luhring Augustine | Closing March 2

📍17 White St | 🔗 exhibit details

At Luhring Augustine, you’ll encounter the mesmerizing world of the Argentine, New York-based artist Constanza Schaffner. Her work exudes a psychedelic flair, characterized by luminous colors, meticulous detail, and a dynamic energy that gives the impression of movement. Including animals, lush flora, and captivating female figures, Schaffner’s art encapsulates a spiritual essence, re-enchanting the contemporary world with the magical. Her creativity overflows, as each piece is densely filled with detail, in a mosaic-like composition. This was another favorite.

Constanza Schaffner. “Un canto que atravieso”. 2023. Oil on linen. | Self-Captured

Stop 6: Cindy Sherman | Hauser & Wirth | Closing March 16

📍Wooster St | 🔗 exhibit details

A short walk further, your final stop is in Soho to see Cindy Sherman’s expansive new body of work. Sherman delves into themes of representation and identity through digital manipulation, collaging elements of her face to create new, unrecognizable characters. Her dramatic construction and reconstruction of a range of emotions, from smiles to grimaces, evokes a sense of discomfort, but also challenges us to reflect on the complexity of identity.

Cindy Sherman | Self-Captured

Let us know if you journey on this gallery walk, and share your favorite exhibit with us :)

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