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Visiting Henry Taylor: B Side
Issue #14: January 11 - 17
🫶 Highlights 🫶
🚨 Ed Ruscha (MoMA), Ruth Asawa Through Line (Whitney), and Anj Smith (H&W) are closing in the coming days!
🎉 New exhibits at David Zwirner & Rachel Uffner (+ opening receptions at each). Tonight, an event at the New Museum on the Herstory “City of Ladies” exhibit.
💖 Read our Ongoing Favorites below.
📢 Read about the Henry Taylor: B Side exhibit below!
🚨 Last Chance
In the Museums
ED RUSCHA / NOW THEN
📍 Museum of Modern Art
⏰ closing on January 13th
🗓️ pop art
❓showcasing the six-decade career of influential postwar American artist, Ruscha, featuring diverse mediums with a focus on American culture
📏 large exhibit (~90 works)
➕ also the Emerging Ecologies: Architecture and the Rise of Environmentalism exhibit is closing on Jan 20th
Ruth Asawa Through Line
📍 Whitney Museum of American Art
⏰ closing on January 15th
🗓️ modern (1950s - 2000s)
❓geometric and minimalistic drawings inspired by the renowned sculptor’s upbringing and experiences
📏 medium exhibit

Self-captured
A few additional galleries closing this week:
María Margdalena Campos-Pons: Behold at the Brooklyn Museum closing on Jan 14th
Max Beckmann: The Formative Years, 1915 - 1925 at the Neue Galerie closing on Jan 15th
Picasso: A Cubist Commission in Brooklyn at the Met closing on Jan 14th
In the Galleries
Anj Smith: Drifting Habitations
📍 Gladstone | 530 W 21st
⏰ closing on Jan 13
❓ large-scale paintings exploring atopia, a concept related to the fluidity of experiences and perceptions of the world, especially around the relationship between self and space
➕ closing the same day at the same location is Pipilotti Rist: Prickling Goosebumps & A Humming Horizon and Guillermo Kuitca: Pintura Sin Muros

Smith, Anj. “Double Flowering (of the Marsh Marigold)”. 2022. | Self-Captured
Tim Eitel: something there is somewhere outside
📍 Pace | 540 W 25th
⏰ closing on Jan 13
❓ 8 new paintings that contemplate the interplay between art, space, and time, responding to elements of the gallery setting

Eitel, Tim | Self-Captured
David Diao: On Barnett Newman, 1991 - 2023
📍 Greene Naftali | 508 W 26th
⏰ closing on Jan 17th
❓ showcasing the six-decade career of Diao, highlighting his interested in Abstract Expressionist Barnett Newman
🎉 Just In
In the Museums
Heads Up: Herstory: Responses to “The City of Ladies” Tonight!
📍 New Museum
⏰ Tonight, Thursday, Jan 11 at 6:30 pm
❓ Scholar Sophie Lewis, poet Simone White, and writer Kate Zambreno respond to the special “City of Ladies” installation that brings together women and genderqueer artists across centuries.
No new major exhibits are opening in the museums.
In the Galleries
James Welling: Thought Objects
📍 David Zwirner | 533 W 19th St
⏰ opening on Jan 11th
❓ photographer Welling explores the evolution and technical aspects of photography, using digital tools in unconventional ways and examines what we define as a photograph
➕ opening reception on Jan 11 at 6-8 pm
Hana Yilma Godine: A Brush in the Universe
📍 Rachel Uffner | 170 Suffolk St
⏰ opening on Jan 13th
❓ Ethiopian painter Godine paints women in spiritual, otherworldly landscapes, vividly using oil, acrylic, and textiles
➕ opening reception on Saturday, January 13, 6-8 pm
➕➕ also check out the upstairs gallery where Christopher Paz-Rivera: Due Time is opening

Godine. ‘SINGLE PAINTING #17’. 2023. | Source
Mika Tajima: Energetics
📍 Pace Gallery | 540 W 25th St
⏰ opening on Jan 11th
❓ sculptural, textile, and sensorial works inspired by quantum mechanics, philosophy, and the concept of plasticity, exploring themes of technology and identity
➕ opening reception on Thurs, January 11, 6-8 pm
➕➕ also opening are: Glenn Kaino: Walking with a Tiger and John Wesley: WesleyWorld: Works on Paper and Objects 1961 - 2004

Tajima | Source
In addition:
Raphaela Vogel at Petzel’s 520 W 25th St location, opening Jan 11
Ted Gahl, Dustin Hodges, Gabriel Mills, Anna Ting Möller, Soumya Netrabile, Kaifan Wang at Alexander Berggruen (1019 Madison Ave, Fl. 3), opening Jan 17
Florian Maier-Aichen at 303 Gallery (555 W 21st), opening Jan 12
Carey Young: Appearance at Paula Cooper’s 524 W 21st St location, opening Jan 11
Find and Keep: Janine Iversen and Peter Shear at C L E A R I N G (260 Bowery), opening Jan 13
💖 Ongoing Favorites
[Last Chance!] For a hauntingly beautiful aesthetic: Anj Smith: Drifting Habitations at Hauser & Wirth’s 22nd st location, closing mid January
[Last Chance!] To see the foundational paintings of a sculpture artist: Ruth Asawa Through Line at the Whitney, closing mid January 2024
For intimate African American portraiture: Henry Taylor: B Side at the Whitney, closing in late January 2024
To see the works of iconic feminist: Judy Chicago: Herstory at the New Museum, closing in March 2024
To see a revived age-old art-form: New Ground: Jacob Samuel and Contemporary Etching at the MoMA, closing in March 2024
📢 Editor’s Updates
You have just a few weeks left to see the raw, figurative works of Henry Taylor in his ongoing exhibit at the Whitney, ‘Henry Taylor: B Side’. With powerful themes, vibrant colors, and dynamic brushstrokes, the exhibit poignantly captures the Black American experience, encouraging empathy and social criticism.

Taylor, Untitled | Self-Captured
Taylor’s works are primarily intimate portraits, beautifully portraying a range of subjects from prominent figures like the Obamas to everyday people. He impressively communicates emotions and stories, reminiscent of Alice Neel’s style, with close-ups leaving the viewer eye-to-eye with the sitter.
He also powerfully draws attention to the challenges faced by Black Americans, with themes such as poverty and dangerous interactions with the police. In the work below, Taylor commemorates Sean Bell, who was tragically killed by the NYPD on the eve of his wedding. Taylor’s handwritten message on the piece, “Really I want to say I didn’t know you but I love you” notes how personal Bell’s story felt to Taylor — someone he could’ve easily known.

Taylor, “Homage to a Brother”, 2007 | Self-Captured
The texture of Taylor’s brushstrokes and his use of color make for truly beautiful pieces. It’s all the more remarkable given that Taylor has a quick and instinctual approach to art-making, often drawn from memory. The name of the exhibit ‘B Side’ (which refers to the side of a record album with more experimental songs) reflects this approach.

Taylor, Untitled | Self-Captured
If you want to learn more, check out NYTimes’s interactive profile on Taylor, and The New Yorker’s critique of the exhibit. And, be sure to stop by the Whitney to see the exhibit by January 28th.
📚 Further Reading
An Interview with Barbara Chase-Riboud — Cultured
Must-see paintings from The Met’s ‘Look Again’ exhibit — Airmail
Brooklyn Museum’s Upcoming Exhibit from Alicia Keys and Swizz Beatz — The New York Times
Newest Galleries in Tribeca — Cultured
When Photo-Artist Lee Miller Took a Bath in Hitler’s Tub — The New Yorker
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